BACK “Three Roman entrances to important buildings in the historical city. The new design involves the functional reorganisation of the gatehouses, the optimisation of lighting, the enhancement existing architectural and furnishing elements, and the chromatic
BACK “The professional competence and ability of the designer lies in knowing how to choose, where possible, one’s collaborators. Otherwise, the designer needs to know how to find room to maneuver, clearly indicating strategies and
BACK “In a low budget project on the Lungotevere Tor di Nona designed for an American university’s Rome campus, we wanted to play with the disconnect between the rigor of an educational building and American
BACK “…with experience we’ve learned greater dexterity in using a new vocabulary every time. For us it’s almost a question of professional ethics, respectfully measuring our work against the various genre available to an architect.
BACK “We also know that design choices need to be aptly translated into construction detailing. This is why we tend to avoid projects where direct control over every phase of the building process isn’t possible…” Drafting
BACK “we prefer to follow a project from the beginning right to the end of construction. A good project risks being damaged by insufficient attention to detail during building. We much prefer to design every