BACK “… Contrast and cross referencing are also key in our landscape architecture projects. For a garden in Rome’s Parioli neighborhood the design had to match the formality of the 1920s villa. Our first iteration
Villino Titta Ruffo – Landscaping
          
          BACK “… Contrast and cross referencing are also key in our landscape architecture projects. For a garden in Rome’s Parioli neighborhood the design had to match the formality of the 1920s villa. Our first iteration
          BACK “We are not interested in branding but in the project’s overall consistency. We imagine the lives and relationships the project will house. We’re interested in designing architecture around the people who will use it;
          BACK The project was about the new green areas layout for new buildings in Magliana near the G.R.A. This area is completely transformed by human activities, as the site of mining activities. So within the scope
          BACK Designed with Maria Cristina Tullio, New Landscape Design for Villa Lazzaroni Park in
          BACK “…with experience we’ve learned greater dexterity in using a new vocabulary every time. For us it’s almost a question of professional ethics, respectfully measuring our work against the various genre available to an architect.
          BACK “For us experimenting with different architectural vocabularies and ways of designing is the most enjoyable and fruitful approach. In Civitavecchia we played with a nautical theme…” Construction of the new North Gate, for commercial traffic.
          BACK “in Canalicchio we played with the syntax of Umbrian farming towns… an approach that references post modernism on one side and vernacular on the other, there’s a continuous cross referencing of formal elements from
          BACK “…In the centre is a round, empty space : the absence of a theme for the “Festival des jardins 2000” becomes a spur for us to express our vision of the new millennium. Our